Valerie Reding, Genosidra, Bast Hippocrate, William Cardoso

wet dreams

The streets are empty, cracked and slick with rain. The air is thick and heavy with smoke and steam. A faint flickering light bounces off the wet floor. A distorted metallic sound is haunting the space, pulsating relentlessly. Mysterious shapes lurk in the shadows. If you look carefully, you might catch glimpses of bodies moving through this strange, fractured world. Come closer. Do you want to be part of this intoxicating dream?

In wet dreams, four performers dive into the murky streams of being together - not just as humans, but as leaky and entangled bodies of water among other bodies of water, living on an aqueous planet. Drawing on hydro-feminism (Astreida Neimanis) and pleasure activism (adrienne maree brown), they explore the liminal spaces between fluidity and friction, pleasure and care, anger and contagious joy, rethinking embodiment, interdependence and resistance.

What if pleasure is a tool for survival? What if rage can be generative? How can we (re)connect to our bodies and each other within systems that are built to divide? How can we be in this dystopian mess together? In a world shaped by racial capitalism*, wet dreams offers a space to embrace our deep longings - to encounter, to grieve, to laugh, to love and to imagine otherwise.

*racial capitalism refers to an understanding of capitalism that sees racism not as a side effect but as a fundamental part of economic power and exploitation—historically intertwined with colonialism and systemic inequality

Artistic direction Valerie Reding
Sound creation and performance Genosidra
Choreography and performance Bast Hippocrate, Valerie Reding, William Cardoso
Choreographic advisor Simone Aughterlony
Dramaturgical advisors Jennifer Lopes Santos, Yuvviki Dioh
Lights and stage design Joseph Wegmann
Object design Victoria Papagni
Production management Moin Moin Production Caroline Froelich, REDart
Production assistance Nico Dubosson
Logo design, photography, teaser and documentation Aron Smith

Co-Production Tanzhaus Zürich, Kulturfabrik, TROIS C-L Maison Pour La Danse
Dramaturgical support Tanzhaus Zürich Jessica Huber
Critial Friend Meloe Gennai

Supported by BIL Fondation Indépendance, Kanton Zürich Kultur, Migros Kulturprozent, Ministère de la Culture, Pro Helvetia Swiss Arts Council, Stadt Zürich Kultur, Fondation Été

Valerie Reding

Valerie Reding is a Zurich-based choreographer and interdisciplinary artist whose emotionally resonant and visually intriguing work dissolves boundaries between movement, poetry and the political, between the institutional and the underground. Their work explores how societal power structures configure identity and relationality - how they become inscribed in our bodies and shape how we relate to ourselves and each other. Drawing from personal and collective trauma, Reding is committed to creating spaces for marginalised narratives and crafts sensorially rich environments that invite audiences into spaces of generative togetherness. Their performances unfold as radical acts of vulnerability and resistance, where identities are fluid and the body becomes a site of protest and collective transformation.

Their practice is distinguished by its strong poetic visual language, emotional rawness and transdisciplinary layering, merging embodiment with image and text. Through this, Reding seeks to open up alternative modes of feeling, perceiving and being together - beyond the limiting systems society imposes.

They studied classical dance in Luxembourg, architecture at ETH Zürich and media arts at ZHdK (Zurich), the University of Applied Arts Vienna and in San Francisco. As an associated artist at Tanzhaus Zürich, they have developed a nationally and internationally recognized body of work, awarded the SSA Young Choreographers’ Prize and the City of Zurich Cultural Prize.

Genosidra

Carlos Quebrada aka Genosidra is a Colombian music producer, bass player, performer, composer, DJ, and curator based in Barcelona. His musical journey encompasses various formats and genres. As a composer and performer, he explores a wide range of musical expressions, writing for solo instruments, electronics, unconventional chamber ensembles, and noise rock/jazz groups. He also creates music for films and performances.

As a performer, he often takes the stage solo, utilizing his voice and bass, which he processes with electronics. Additionally, he is the bass player for the experimental punk rock band Blanco Teta. Under the alias Genosidra, he delves into an experimental electronic aesthetic, blending it with Latinx dance music and transdisciplinary performance.

With extensive research in contemporary experimental electronic music and noise, his musical productions, live performances, and DJ sets explore noise within the context of dance music (Latinx club, hyperpop, footwork) through textures and non-linear composition.

Bast Hippocrate

Bast Hippocrate is a queer Afro-descendant artist born in La Chaux-de-Fonds. Initially self-taught, he graduated from La Manufacture in 2019. His work blends autofiction, physicality, and vulnerability, using the intimate to connect with the collective, bridging micro and macro narratives. He collaborates with artists such as Géraldine Chollet, Simone Aughterlony, and Valerie Reding, engaging in sensitive, performative, and political processes.

William Cardoso

William Cardoso is a choreographer and performer working between Luxembourg and Portugal. Known for a raw, unpredictable and committed style, his work tackles intimate yet universal themes, challenging patriarchal and heteronormative structures with urgency and rage.
Exploring the friction between body and mind through a deliberately non-fluid, abrasive movement language, William creates physical dialogues that question how the body can be a site of struggle, resistance, and storytelling.
As a performer, he has collaborated with Clara Villalba, Olivier Dubois, Florence Peake, Eve Stainton, Jill Crovisier, Giovanni Zazzera, Léa Tirabasso, Fabian Thomé Duten, and collaboration with Andreas Constantinou. He has also worked with Valerie Reding on the politically engaged project Monsters.

Dates / Booking
Thursday, 22.01.2026
Clock 20:00 — 21:15
  • Solidarity: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Bühne 1
Tanzhaus Zürich
Wasserwerkstrasse 127a
8037 Zürich

  • Duration: 1h 15m
  • English
  • Wheelchair accessible

Content notes

This performance contains darkness, flashing lights, nudity and loud music.

Friday, 23.01.2026
Clock 20:00 — 21:15
  • Solidarity: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Bühne 1
Tanzhaus Zürich
Wasserwerkstrasse 127a
8037 Zürich

  • Duration: 1h 15m
  • English
  • Wheelchair accessible

Content notes

This performance contains darkness, flashing lights, nudity and loud music.

Sunday, 25.01.2026
Clock 18:00 — 19:15
  • Solidarity: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Bühne 1
Tanzhaus Zürich
Wasserwerkstrasse 127a
8037 Zürich

  • Duration: 1h 15m
  • English
  • Wheelchair accessible

Content notes

This performance contains darkness, flashing lights, nudity and loud music.

Tuesday, 27.01.2026
Clock 20:00 — 21:15
  • Solidarity: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Bühne 1
Tanzhaus Zürich
Wasserwerkstrasse 127a
8037 Zürich

  • Duration: 1h 15m
  • English
  • Wheelchair accessible

Content notes

This performance contains darkness, flashing lights, nudity and loud music.

Wednesday, 28.01.2026
Clock 20:00 — 21:15
  • Solidarity: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Bühne 1
Tanzhaus Zürich
Wasserwerkstrasse 127a
8037 Zürich

  • Duration: 1h 15m
  • English
  • Wheelchair accessible

Content notes

This performance contains darkness, flashing lights, nudity and loud music.