Undeclared Work

Undeclared Work
An event by Eman Hussein

What is it about?

Many people who work on construction sites have come from another country. They build our cities. They build our houses. Yet people often do not see them. And their work gets little recognition.

Eman Hussein is a dancer and choreographer. Her piece Undeclared Work is about the people who work on construction sites. It is about what happens to their bodies and their feelings, and what they experience.

What happens on stage?

There is scaffolding on stage. Three people dance between the scaffolding. They make movements like when working on a construction site. They repeat these movements again and again. They breathe loudly and get tired. This way, work movements slowly turn into dance movements.

Sometimes the dancers seem to be in a trance. This means: They are completely absorbed in the movement. On stage, you see how much the people have to endure. You see how vulnerable they are. And you see that they resist.

The music is created live on stage during the piece. It comes from the materials and rhythms of a construction site. You also hear voices and memories of workers from different times and countries.

What does this have to do with Switzerland?

In the past, many people came to Switzerland from Italy. They came for seasonal work. This means: They were only allowed to work here for a certain time each year.

In 1970, there was a vote in Switzerland: the Schwarzenbach Initiative. It wanted far fewer people from other countries to live in Switzerland.

The piece connects this history with today. Today, too, construction work is often insecure for people from other countries. This is the case all over the world. These people are often not well protected.

The question of the piece

What remains of the bodies of the people who build our cities? When their work is finished and the houses are still standing for a long time.

What happens to the bodies of the people who build our cities? When their work is finished and the houses are still standing for a long time? In Undeclared Work, Eman Hussein traces the marks that construction work leaves on the bodies of migrant workers.

Undeclared Work is the third chapter of Eman Hussein’s series Labour Work – Between Work and Dance. The piece is dedicated to migrant construction workers and what they experience physically and emotionally. Their bodies shape our cities, yet the people themselves often remain invisible and unacknowledged.

On stage, three performers move through a landscape of scaffolding. Everyday gestures of construction work become a physical language of its own. Through repetition, breath, rhythm and exhaustion, the movements shift back and forth between labour and dance. They become trance-like. In this state, endurance, fragility and resistance emerge.

The sounds are created on stage using the materials and rhythms of the construction site. Voices and memories of workers from different times and places are woven into them.

The piece draws on the history of Italian seasonal workers in Switzerland and on the Schwarzenbach Initiative. In 1970, this popular initiative sought to sharply limit the proportion of foreigners in Switzerland. In this way, Undeclared Work connects past and present: worldwide, migrant construction work remains insecure, often unprotected and largely unseen to this day.

Undeclared Work asks: What remains of the bodies that build our cities when their work is done and the buildings continue to stand?

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Followed by an audience talk
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  • Soli: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Duration:

1 hr

Mostly nonverbal. Recorded voices are part of the sound composition. You don’t need to understand them to follow the piece.

Relaxed Performance

Tanzhaus Zürich

Bühne 1

Wheelchair accessible

  • Nonverbal
Two dancers in light shirts move slightly crouched, one fist holding a wooden piece at chest height. Behind them, a person with headphones sits at a microphone.
Multiple exposure in yellow light: dancers in light shirts raise wooden pieces above their heads. Red and white barrier tape lies on the floor.
Two dancers kneel bent over, one hand on the floor, a tool in the other. Behind them, a person holding a hammer sits at a table. Red and white tape on the floor.
Three people sit laughing on the floor of a concrete room in pink and blue light, their shadows on the wall behind them.
Shadows of three people on a pink-lit concrete wall, sitting and crouching on a table.
Eman Hussein in a white blouse in front of an orange wall with tree shadows, looking at the camera.
Multiple exposure in yellow light: dancers in light shirts raise wooden pieces above their heads. Red and white barrier tape lies on the floor.
Concept, Choreography
Eman Hussein
Performance
Domenico Doronzo, Eman Hussein, N.N.
Live-Sound, Sound Design
Marquis’ McGee
Dramaturgy
Nedjma Hadj Benchelabi
Set
Malin Speicher
Outside Eye, Outside Ear
Dimitri de Perrot
Worker advisers
Gennaro Maffione, Gaetano Balzano
Production Management / Production Manager
Matthias Kobi
Production consulting
Sandro Lunin
Residencies
Tanzhaus Zürich; Studio Thor, Brüssel; CAMPO, Gent (mit Unterstützung von Pro Helvetia); TU – Théâtre de l’Usine, Genf; Kaserne Basel; Fondazione Claudia Lombardi per il Teatro, Lugano; Théâtre Sévelin 36, Lausanne
Co-production
Tanzhaus Zürich; Charleroi Danse, Brüssel
With support from
Pro Helvetia – Schweizer Kulturstiftung, Fachstelle Kultur Kanton Zürich, Stadt Zürich Kultur, PREMIO Nachwuchspreis, AFAC (Arab Fund for Arts and Culture), Migros-Kulturprozent Zürich, Stiftung Anne-Marie Schindler, Dr. Adolf Streuli Stiftung, Elisabeth Weber Stiftung