Undeclared Work
Undeclared Work
An event by Eman Hussein
What is it about?
Many people who work on construction sites have come from another country. They build our cities. They build our houses. Yet people often do not see them. And their work gets little recognition.
Eman Hussein is a dancer and choreographer. Her piece Undeclared Work is about the people who work on construction sites. It is about what happens to their bodies and their feelings, and what they experience.
What happens on stage?
There is scaffolding on stage. Three people dance between the scaffolding. They make movements like when working on a construction site. They repeat these movements again and again. They breathe loudly and get tired. This way, work movements slowly turn into dance movements.
Sometimes the dancers seem to be in a trance. This means: They are completely absorbed in the movement. On stage, you see how much the people have to endure. You see how vulnerable they are. And you see that they resist.
The music is created live on stage during the piece. It comes from the materials and rhythms of a construction site. You also hear voices and memories of workers from different times and countries.
What does this have to do with Switzerland?
In the past, many people came to Switzerland from Italy. They came for seasonal work. This means: They were only allowed to work here for a certain time each year.
In 1970, there was a vote in Switzerland: the Schwarzenbach Initiative. It wanted far fewer people from other countries to live in Switzerland.
The piece connects this history with today. Today, too, construction work is often insecure for people from other countries. This is the case all over the world. These people are often not well protected.
The question of the piece
What remains of the bodies of the people who build our cities? When their work is finished and the houses are still standing for a long time.
What happens to the bodies of the people who build our cities? When their work is finished and the houses are still standing for a long time? In Undeclared Work, Eman Hussein traces the marks that construction work leaves on the bodies of migrant workers.
Undeclared Work is the third chapter of Eman Hussein’s series Labour Work – Between Work and Dance. The piece is dedicated to migrant construction workers and what they experience physically and emotionally. Their bodies shape our cities, yet the people themselves often remain invisible and unacknowledged.
On stage, three performers move through a landscape of scaffolding. Everyday gestures of construction work become a physical language of its own. Through repetition, breath, rhythm and exhaustion, the movements shift back and forth between labour and dance. They become trance-like. In this state, endurance, fragility and resistance emerge.
The sounds are created on stage using the materials and rhythms of the construction site. Voices and memories of workers from different times and places are woven into them.
The piece draws on the history of Italian seasonal workers in Switzerland and on the Schwarzenbach Initiative. In 1970, this popular initiative sought to sharply limit the proportion of foreigners in Switzerland. In this way, Undeclared Work connects past and present: worldwide, migrant construction work remains insecure, often unprotected and largely unseen to this day.
Undeclared Work asks: What remains of the bodies that build our cities when their work is done and the buildings continue to stand?
Event dates
Information
Prices
- Soli: CHF 35
- Regular: CHF 25
- Budget: CHF 15
Duration:
1 hr
Language
Mostly nonverbal. Recorded voices are part of the sound composition. You don’t need to understand them to follow the piece.
Location
Tanzhaus Zürich
Room
Bühne 1
Wheelchair accessible
Accessibility
- Nonverbal
Credits
- Concept, Choreography
- Eman Hussein
- Performance
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Domenico Doronzo, Eman Hussein, N.N.
- Live-Sound, Sound Design
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Marquis’ McGee
- Dramaturgy
-
Nedjma Hadj Benchelabi
- Set
-
Malin Speicher
- Outside Eye, Outside Ear
-
Dimitri de Perrot
- Worker advisers
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Gennaro Maffione, Gaetano Balzano
- Production Management / Production Manager
-
Matthias Kobi
- Production consulting
-
Sandro Lunin
- Residencies
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Tanzhaus Zürich; Studio Thor, Brüssel; CAMPO, Gent (mit Unterstützung von Pro Helvetia); TU – Théâtre de l’Usine, Genf; Kaserne Basel; Fondazione Claudia Lombardi per il Teatro, Lugano; Théâtre Sévelin 36, Lausanne
- Co-production
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Tanzhaus Zürich; Charleroi Danse, Brüssel
- With support from
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Pro Helvetia – Schweizer Kulturstiftung, Fachstelle Kultur Kanton Zürich, Stadt Zürich Kultur, PREMIO Nachwuchspreis, AFAC (Arab Fund for Arts and Culture), Migros-Kulturprozent Zürich, Stiftung Anne-Marie Schindler, Dr. Adolf Streuli Stiftung, Elisabeth Weber Stiftung