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Swiss Dance Days: OUVERTURE
OUVERTURE – piece for dancers and walking audience, the third creation by the dancer and choreographer Géraldine Chollet, is inspired by the tradition of medieval mystery plays. These communal ceremonies mixed metaphysical and real elements, the sacred and the profane. They served to invoke the hereafter, beg for mercy, attain favour or to question viewers and protagonists alike. Evoking this ritual character, the audience for OUVERTURE continuously moves in a circle. The performers dance in the centre, periodically breaking out of the centre, joining the circle and returning to the centre. This creates a continuous rotating pull, a ritual carried out collectively by the community, in which the viewers are involved as active participants. In this simple yet festive choreographic setup, we are all invited to acknowledge what we have, accept what we are lacking and celebrate what may come.
Part of Swiss Dance Days 2024
Concept & choreography Géraldine Chollet in collaboration with the dancers
Performance Eléonore Heiniger, Maïté Minh Tam Jeannolin, David Zagari, Bilal El Had
Creation assistant Patrick Mangold
Assistant creatures Trân Tran
Sound design Renée Van Trier
Composition & sound engineer Raphaël Raccuia
Lights & stage design Sven Kreter
Costumes Scilla Llardo
Technical direction Celine Ribeiro
Production management Maxine Devaud / oh la la - performing arts production
Production cie Rahu LaMo
Coproduction Théâtre Sévelin 36
Supported by
 City of Lausanne, Schweizerische Interpretenstiftung SIS, Loterie 
Romande, Fondation Nestlé pour l'art, Ernst Göhner Stiftung, Fondation 
Casino Barrière de Montreux
Géraldine Chollet: "Thanks to the many Palestinian dabke dancers who inspired me, and whose basic step we are using."
 
                      