Jolie Ngemi is a contemporary and urban dancer, choreographer and musician. In 2013, she began a two-year training programme at P.A.R.T.S. in Brussels. It was there that she was discovered by the choreographer Boris Charmatz. Together they produced two pieces: Danse de nuit – about the attack on Charlie Hebdo – and 10'000 gestes, which toured in France, Brussels, London, Germany and Switzerland. In 2018 she created her first solo piece, Identity na ngayi, at the La Bâtie Festival in Geneva, which was subsequently presented in Basel, Brussels and Utrecht. In 2019, she staged several performances and workshops in the Brussels region and at the Tictac Centre. In early 2020, she was appointed as a lecturer at the Amsterdam Academy. In the same year, she collaborated on Serge Aymé Coulibaly’s new creation: Wakat.
She subsequently founded her own company, AUC Production, as well as the performing arts festival BOSANGANI, the fifth edition of which took place in Kinshasa in September 2025, bringing together European and African dancers for masterclasses, performances and panel discussions. Since 2024, she has been teaching regularly at La Manufacture on the Bachelor’s programme in contemporary dance. In June 2024, she choreographed Jounga with the students of the H cohort for their final performance.
In 2026, her piece MBOK’ELENGI was selected and presented as part of the Swiss Dance Days in Basel.
Show
Jolie Ngemi, Jeremy Nedd
La Manufacture: Graduation Show
Students on the Bachelor’s degree programme in contemporary dance at the Manufacture de Lausanne are presenting their final performance.
The artistic director of this programme is Jolie Ngemi, a dancer, choreographer and musician who now lives between Lausanne and Kinshasa and develops a dialogue between contemporary aesthetics and her Congolese roots, building bridges between cultures and imaginations. She is joined by Jeremy Nedd, a choreographer originally from Brooklyn, New York, who now lives in Basel, Switzerland. In his choreographies, he explores decoloniality and racism by incorporating street dance styles such as hip-hop and pantsula.
Jolie Ngemi
Make The Curtain Burn
A group of singular creatures gathers in a club for one last dance. Their frenzy unfolds like an organized chaos, so powerful it floods the dancefloor and spills onto anyone standing in its way. These burning, trembling souls move among one another. Through heat, smoke, and broken breath, they celebrate because from the very beginning, we felt it, we knew it: what feeds our togetherness is our uniqueness. All are gathered one last time in the blaze of our beating hearts, crackling and roaring with joy. Once again, the creatures come together to celebrate. Fire, substances, and sweat will carry us through the night. But whatever the night has in store for us, we will keep dancing — and therefore keep living. We will keep burning down this curtain made of judgments, calamities, and endless prohibitions.
Together, we dance, letting go of what we no longer need.
We are not here just to pass through — we are here to stay.
Through the endless night, we remain awake until you are exhausted.
A celebration of our passions, one final dance, to raise once more the torch of our fervor. Do not fall asleep. Keep one eye open, or you will be devoured.
Jeremy Nedd
Faded future / future faded: A loop of social folk dance rituals
Faded Future is a choreographic exploration of the concept of the loop – musically, physically and socially. Inspired by hip-hop, electronic music and William Basinski’s legendary “Disintegration Loops”, the piece creates a hypnotic flow of movement drawn from social, folk and newly developed dance forms. The performers act like an organic organism: synchronised, drifting apart, chaotic and then harmonious again. Between repetition, improvisation and collective dynamics, a physically intense piece unfolds about decay, transformation and new beginnings – euphoric, cathartic and hypnotic all at once.
Choreography Make The Curtain Burn
Jolie Ngemi
Choreography Faded future / future faded: A
ballroom social folk dance ritual
Jeremy Nedd
With Lee-Ann Aerni, Irina Badilita, Kim Bigler, Arlet Capella
Margarit, Kalil Joigny, Hanitra Marmoiton, Gabriel Meylan,
Ambre Michel-Picque, Lily NDiaye, Léna Piazza, Lorianne Singy
Assistent choreographyKrisztina Abrànyi
Assistent Jolie Ngemi Ambassa Kibala
Technic Ian Lecoultre, Clovis Marchon
Photos Gregory Batardon
Production La Manufacture - Haute école des arts de la scène
Jeremy Nedd is a choreographer and performer originally from Brooklyn (New York) who lives in Basel. After studying at SUNY Purchase College in New York, he worked with various choreographers, notably Kyle Abraham, who blends hip-hop, street dance and expressive dance. Jeremy Nedd has lived in Europe since 2010. As a dancer, he has performed at the Semperoper in Dresden, Ballett Basel and in works by Trajal Harrell at the Schauspielhaus Zürich, amongst others. As a choreographer, he incorporates dance styles from different communities into contemporary dance. His works have been presented at venues including the Kaserne Basel, the Arsenic Lausanne and the Münchner Kammerspiele. Nedd holds a Master’s degree in Expanded Theatre from the Bern University of the Arts (HKB).
He was awarded the Swiss Performing Arts Award in 2023 and received the Ellis-Beauregard Foundation Choreographer Award in 2025.
In 2026, his piece from rock to rock... aka how magnolia was taken for granite was selected and presented as part of Swiss Dance Days in Basel. He taught for the first time on the Bachelor’s programme in Contemporary Dance at La Manufacture.