Show

Company MEK / Muhammed Kaltuk

ZÜRICH TANZT: Father Politics

Father Politics unmasks the emotionalisation of politics and the polarisation caused by political advertising campaigns. The young, multinational and diverse ensemble tells from a personal perspective about powerlessness in the face of politics, about being paralysed when someone feels unrepresented. The piece is about energies that arise when people politicise themselves and get something moving.

Father Politics
showcases the individual personalities of the ensemble and bundles their energy and strength in powerful choreographies. With a lot of coolness and authenticity, Company MEK represents the young generation Change.

  • Bühne 1
    Tanzhaus Zürich
    Wasserwerkstrasse 127a
    8037 Zürich
  • Wheelchair accessible

  • Wheelchair accessible

  • Some Swiss German

  • Solidarity: CHF 30
  • Regular: CHF 20
  • Budget: CHF 10

Choreography Muhammed Kaltuk
Dancers Malin Schuler, Annakatharina Chiedza Spörri, Manuel Janick von Arx, Egon Gerber, Lea Korner, Harumi Mumenthaler, Moa Bomolo, Witthawat Tonja
Music Tobias Herzog (Clockworked)
Stage and costumes Kevin Peterhans
Dramaturgy Cindy Jänicke
Light concept and technical management Daniel Tschanz
Production management and touring Cindy Jänicke
Technicla partner nuance Veranstaltungsechnik GmbH

Part of the Zürich Tanzt festival

Coproduction Kaserne Basel, COLOURS Festival Stuttgart

Supported by Fachausschuss Tanz und Theater BS/BL, Landis & Gyr Foundation, Municipality of Reinach, Anne-Marie Schindler Foundation, Ernst Göhner Foundation, Pro Helvetia – Swiss Arts Council, PREMIO, Peterhans, Schibli & Co. AG

Guest performance supported by Pro Helvetia, Ernst Göhner Foundation, Migros Cultural Percentage

The frist sketches of Father Politics were created 2020 in the frame of the PREMIO newcomer prize for theatre and dance

Company MEK / Muhammed Kaltuk

Muhammed Kaltuk founded Company MEK in 2017 to provide a strong framework for his art and creativity. The company develops productions that blend Hip-Hop and contemporary dance, cultural, and dance traditions. MEK stands for diversity and has a clear activist as well as artistic voice. Their movement language is strong, powerful, and unique.

FATHER POLITICS – in collaboration with Kaserne Basel and the COLOURS International Dance Festival Stuttgart – explores the powerlessness of politics and is currently on a national and international tour. Kaltuk makes clear statements on issues that concern him and society, addressing themes such as "Toxic Masculinity" at Theater St. Gallen, "Origin" at Luzerner Theater, and "Territories" at Theater Basel.

Choreographer Muhammed Kaltuk was born and raised in Switzerland in a conservative Turkish family. As an effort to break out of his upbringing, Kaltuk made a name for himself in the Swiss Hip Hop scene. At the age of 22 he had his first production experience at a theater and recognized it as a possibility to find his own voice, as a way to artistically deal with the world. At the age of 25 he started his dance education at the “Höhere Fachschule für Zeitgenössischen und Urbanen Bühnentanz” in Zurich. His goal was to further develop his movement from his background in Hip Hop, but also to get to know and use other dance qualities and styles. That is where he discovered his passion for composing and creating material from the movement repertoire of the dancers he works with, expanding the boundaries of these dancers and intertwining it with his own style and aesthetic ideas of dance. This has become his signature way of working as well as the socially critical, political and personal themes in his creations.